Note on The Humors:
Ancient Greek philosophers wrote of four temperaments (or ‘humors’) that color all of creation: sanguine, choleric, melancholic and phlegmatic. Urbanity is part of this creation, and also embodies versions of these dispositions. The Humors suggests urban behaviors and relationships, those of people and of the built environment itself.
2017, video, 3 minutes
Soft Plots portrays a conception of urban living that is both group-oriented and discontinuous, with underlying conflicts and competitions. In many ways, we live in big cities like we live in small towns—except that our communities are scattered across a dense network of other communities and other storied lives of which we only catch a glimpse. Soft Plots is a mental map of meaningful locations and (richly-inhabited) voids in between.
“Fragments” Screening (April 24, 2017), Microscope Gallery, Brooklyn, NY
Shifting Landscapes (Feb. 24—May 20, 2017), Form & Concept Gallery, Santa Fe, NM; Juror Award Winner
The Subject is Chicago (Feb. 11—April 9, 2017), Chicago Cultural Center, IL
2019; video; 3 minutes
Pale Patrol suggests an ambiguous scene: a frozen stage with potential conflict and no resolution, only symbolic events. Is this public display a lack of will, an ambivalence on both sides, political enactment, or détente?
2016; video; 3 minutes
Green play is a joyful orchestration of one of the great meeting places in New York City—Central Park, a utopian playground and repository shared by locals and tourists alike. The spliced footage choreographs a single summer Sunday and encapsulates an optimism that is central to American life.
2016; video; 3 minutes
Deep Ends suggests a tension between carefree buoyancy, vulnerability, and inherent risk. Water on the edge of an urban landscape invites crowds, and shot from a long distance, the scene strangely oscillates between leisure fun and the aftermath of a disaster.
In Their Element (Nov. 15, 2018—Feb. 10, 2019), Spartanburg Art Museum, SC
